Frank Fayed

Thanks to indie and alternative rockers of the 1990s, Love was afforded their due devotion long after their career as a band ceased. Yet Arthur Lee’s follow-up incarnation of the legendary ensemble, adroitly anchored by Frank Fayed, also merits rapt attention.

Traversing soul, folk, acid rock, and country; the second coming of Love and Lee stretched the boundaries of their previous slabs, as evidenced on Four Sail and the two-fer Out Here (1969), and False Start (1970) which featured a cameo guitar solo by James Marshall Hendrix.